January 11, 2017

Decision

There were always going to be books, films and documentaries made about the campaign to stop the pulp mill. I wasn’t alone in saying this, and in fact so far as documentaries were concerned I was aware there was at least one of these already underway because I was interviewed for it back in 2013. I’ve no idea where this doco’s at, or if it’s been canned. Note to self: need to check.

The campaign to stop the pulp mill had dominated the lives of Tasmanians for over a decade, and like the Franklin Dam campaign before it, Gunns’ pulp mill had become a controversial and divisive issue both nationally and internationally. So while comments were frequently made, both to me and by me, about the books that would eventually be written about this time in Tasmania’s history, it never seriously crossed my mind that I might write one of them.

That notion didn’t really take hold until several people, who were aware of my long involvement in the campaign, independently suggested I do so. I’d already written several pulp mill-related articles, and been invited to write a couple more for inclusion in forthcoming books: Breaking the Boundaries; and, The Fabric of Launceston.
When Gunns folded in 2012, and it was possible to relax a bit with the pulp mill looking less and less likely to ever get up, writing the story of my part in the campaign began to take shape. And in the early part of 2014 I started to seriously visualise the content and context of what I would like this book to be, and how I’d go about writing it – given the first cab off the rank, (The Rise and fall of Gunns Ltd by Quentin Beresford) – had just been published, was selling well and was receiving literary accolades.

The focus of my book would be different.

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Attracting the interest of a publisher for this story of a community’s campaign to stop what would have been ‘the world’s fourth largest pulp mill’ being built was never going to be easy, but hoping the first of two 3-minute Literary Speed Dating pitch sessions will prompt at least one of the two publishers to request the full MSS. And preferably both of them. These twice-yearly Perfect Pitch sessions are offered to members of the Australian Society of Authors, and this is the first time I’ve taken advantage of them – mainly because of the need to have a completed MSS before doing so. Three minutes isn’t long to excite the interest of a publisher who is after stories in very specific genres, and who therefore needs to believe your MSS is worth investing the time needed to read it in full. I’m pretty certain I’ve excited the necessary interest, but given Jane will hear the pitches of many more optimistic and talented writers after my morning session today, there are no guarantees. That initial interest might well wane as the day goes on if other writers have written stories that sound far more intriguing – and marketable. One can never forget that aspect of publishing these days: will the book sell. I believe my story will – certainly in Tasmania it definitely will – but a wider Australian readership? That’s an unknown even if my mentor is convinced of the story’s universal appeal.  I’d certainly like to think I’ve caught the zeitgeist wave given the current widespread community unrest over AI data centres, that’s already prompting similar serious opposition, and for many of the same reasons the Tamar Valley’s community opposed the pulp mill. Environmental degradation, threats to public health, water usage – and water shortages in an era of escalating climate extremes – and the constant, relentless noise factor that’s associated with data centres, and AI data centres in particular. I’m crossing my fingers that the second pitch session will be equally positive, and that I could strike it lucky with both publishers requesting to see the full MSS. But I won’t get ahead of myself. I’ll just be keeping all fingers and toes firmly crossed for the next seven days.

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