February 8, 2021

Setting writing goals

So this is the plan, and as I’ve now articulated it several times – most recently at the resurrected Write Here meeting last weekend – there’s a lot more incentive to stick to the timeline I’ve set myself, and actually achieve it. Or else be shamed into having to confess I failed.

My 2021 calendar and dairy therefore now show the first three days of each week are to be devoted to writing. Notwithstanding life’s unexpected spanners occasionally. And not just writing The Book, since the bread and butter article writing cannot be ignored, but my aim is to be considerably more disciplined about the whole task ahead, and considerably less available to distractions – however pleasurable or tempting invitations to do this or meet for that may be.

So far so good, (but let’s not get too excited; it’s only early February after all) and I feel on track to meet the first milestone in my year-long pact with myself to have the first draft of this book completed by the end of December. But long before that moment arrives my mentor will give initial – and probably brutal – feedback when I’ve completed the first 20,000 words. Goal number one therefore is to reach this target by the end of the month.

Two, or perhaps three months after that I’ll present her with the next 20,000 words. And so on. How many words do I envisage this book will be? How long is a piece of string: I have no idea, but I’m pretty sure I’ll know when I’ve reached The End.

I had a light bulb moment a week or so back while racking my brain to remember when certain actions and events occurred. Eventually I established a clippings archive and so can check these things in the boxes of pulp mill-related news items, letters and articles. But in the early days it never occurred to me to keep such things. Bad move, but then again, who knew in the beginning how important it might be to hang on to them.

But while I might not have the newsprint, I had copies of letters and emails written to my Mum, and to UK- and WA-based friends. I cannot really explain why I chose to keep copies of my weekly letters home, but since writing these missives on the computer, rather than by hand, I had done so. They were the equivalent of a journal, or diary I suppose, and documented our day-to-day activities and life’s ups and downs on the flower farm, at school, and – increasingly during the years of the campaign – opposing the pulp mill.

Pulling these files down from the cupboard and flipping through them has certainly stirred some memories, as well as confirmed a few key dates. These letters have also made achieving that target a lot easier; why reinvent the wheel when the description has already been written, and with an immediacy and a freshness it would be hard to replicate so many years on.

There was certainly no expectation that decision to keep copies – a decision I would have been hard-pressed to explain to myself even then – would ever prove to be so invaluable for the years that spanned the pulp mill campaign. But I’m certainly now thanking my younger self for doing so.

Photo credit: Garry Stannus

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Badger the beagle
By Anne Layton-Bennett August 4, 2026
An Animals Australia article that highlights the use of toxicity testing of chemicals on animals is still being done around the globe.
By Anne Layton-Bennett July 22, 2026
Attracting the interest of a publisher for this story of a community’s campaign to stop what would have been ‘the world’s fourth largest pulp mill’ being built was never going to be easy, but hoping the first of two 3-minute Literary Speed Dating pitch sessions will prompt at least one of the two publishers to request the full MSS. And preferably both of them. These twice-yearly Perfect Pitch sessions are offered to members of the Australian Society of Authors, and this is the first time I’ve taken advantage of them – mainly because of the need to have a completed MSS before doing so. Three minutes isn’t long to excite the interest of a publisher who is after stories in very specific genres, and who therefore needs to believe your MSS is worth investing the time needed to read it in full. I’m pretty certain I’ve excited the necessary interest, but given Jane will hear the pitches of many more optimistic and talented writers after my morning session today, there are no guarantees. That initial interest might well wane as the day goes on if other writers have written stories that sound far more intriguing – and marketable. One can never forget that aspect of publishing these days: will the book sell. I believe my story will – certainly in Tasmania it definitely will – but a wider Australian readership? That’s an unknown even if my mentor is convinced of the story’s universal appeal.  I’d certainly like to think I’ve caught the zeitgeist wave given the current widespread community unrest over AI data centres, that’s already prompting similar serious opposition, and for many of the same reasons the Tamar Valley’s community opposed the pulp mill. Environmental degradation, threats to public health, water usage – and water shortages in an era of escalating climate extremes – and the constant, relentless noise factor that’s associated with data centres, and AI data centres in particular. I’m crossing my fingers that the second pitch session will be equally positive, and that I could strike it lucky with both publishers requesting to see the full MSS. But I won’t get ahead of myself. I’ll just be keeping all fingers and toes firmly crossed for the next seven days.
Magni
By Anne Layton-Bennett June 14, 2026
It’s taken far too many months for this marvellous model to grace the dedicated desk space in my office. When Fiona comes to visit next she will be very surprised, and hopefully gratified, that her amazing creative talent is finally on display. We’ve known each other for a very long time, and during the insanely busy time when I was helping to run the flower farm, working part-time in a school library, doing a spot of journalism on the side, and fighting the proposed pulp mill that is the subject of the manuscript I’m hoping to get published, Fiona cleaned my house each week. There’s only so much a person can do after all, and it has to be said cleaning our house during those manic years was fairly low down on the list of my priorities. But Fiona is a woman of many talents and she certainly possesses one that I so don’t have: sewing and dressmaking. So over the years she’s also made a few garments based on the pattern of a favourite garment that I was particularly fond of, and she’s also done some clothing alterations for both of us. My skills with needles and thread are limited to sewing on buttons, and taking up hems on John’s too-long pairs of jeans. Anything else is beyond me. But this fabulous model is the pièce de résistance – along with the beautiful crocheted knee warmer she gave me last year. This was when winter was approaching and so determined was I to finish writing the book, I decided to get out of bed at the insane hour of 5am and get in a solid hour’s writing in before dog walking and the demands of the day took over. Fiona was also one of many Tasmanians who needed to be circumspect about her opinion of the pulp mill. It was a project that polarised people, including families and friendships. She was one of several who passed on snippets of useful information, but on the basis of anonymity so it couldn’t be sheeted home to her.  Needless to say Fiona will be one of those whose contribution will be acknowledged – when this book is finally accepted by a publisher.

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